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| 2008 |
| Wall Space, Seattle, WA Objectivity |
| UNO Art Space, Stuttgart, GERMANY Objektivitat |
| 2007 |
| Richard Levy Gallery, Albuquerque, NM The Project Room |
| Foto Arte Brasilia, BRAZIL From the Garden of Natural and Not So Natural Wonders |
| Museo de la Fotografia, Santa Fe, ARGENTINA, Representaciones |
| Nicole Fiacco Gallery, Hudson, NY Altered States: Michal Bachi and Cynthia Greig. |
| Casa de la Cultura, Salta, ARGENTINA Representaciones |
| 2006 |
| Centro Cultural Recoleta, Buenos Aires, ARGENTINA Realidad/(i) Realidad: Cynthia Greig |
| 2005 |
| San Francisco Camerawork, San Francisco, CA Solos: Representations |
| 2003 |
| Focal Point Gallery, Southend-on-Sea ENGLAND Belong:Elia Alba & Cynthia Greig |
| Margaret Harvey Gallery, St. Albans, ENGLAND |
| Weitman Gallery of Photographic Arts, St. Louis, MO |
| Art Gallery of Windsor, Windsor, Ontario CANADA Little Things @Life-Size: Tyrone Brais & Cynthia Greig |
| 2002 |
| Studio 1650, Kessler-Francis-Cardoza, Detroit, MI |
| Moreau Art Galleries, St. Mary’s College, Notre Dame, IN |
| Museum of Art, Suny-Potsdam, NY |
| 2001 |
| Gallery
44, Centre for Contemporary Photography, Toronto CANADA |
| Urban Institute for Contemporary Art, Grand Rapids, MI |
| 1 |
SELECTED GROUP EXHIBITIONS |
| 2009 |
| Rena Bransten Gallery, San Francisco, CA Complicity: Photography and the Matter of Sculpture |
| The Butcher's Daughter, Ferndale, MI The Trace of Archive and Memory |
| UNO Art Space, Stuttgart, GERMANY, Wonderland |
| Smith College Museum of Art, Northampton, MA, Works on Paper |
| University Art Gallery, Eastern Michigan University, Ypsilanti, MI The Elements of Photography |
| 2008 |
| John Jellico Gallery, Denver CO The Elements of Photography |
| Clark Gallery, Lincoln MA Staged |
| AIPAD New York, NY (Stephen Bulger Gallery) |
| Pulse, New York, NY (Richard Levy Gallery) |
| PhotoLA, Los Angeles CA (Wall Space Seattle) |
| 2007 |
| Forest City Gallery, London (Ontario), CANADA Stranger than Fiction-The Delicate Art of Faking History |
| The Center for Contemporary Photography, Chicago, IL Relative Closeness: Portraits of Family and Friends |
| The Catalyst Arts, Belfast, IRELAND Trauma Interrupted: The Felt Experience Project |
| The Tower Fine Arts Gallery, SUNY Brockport, NY Not Right: Artists Alter Natural Schemes |
| AIPAD Miami, FL (Stephen Bulger Gallery) |
| Art Miami (Richard Levy Gallery) |
| Wall Space Gallery, Seattle, WA (20)Views + (4)Collaborations |
| Opensource Art, Champaign, IL Collected |
| 2006 |
| The Arts Center, St. Petersburg, FL Project Creo: Cross Roads |
| Kreft Center Gallery, Ann Arbor, MI MI Dimensions of Photography |
| Mills Gallery, Boston Center for the Arts, Boston, MA After |
| OpenSource Art, Champaign, IL Spectacles of the Real |
| 2005 |
| South Bend Regional Art Museum, South Bend, IN Biennial 23 |
| The Arts Center of the Capital Region, Troy, NY Reality Show (continued from 2004) |
| 2004 |
| Harvestworks, New York, NY Whiz Bang: Videos by Emerging Artists |
| RedCat Theater at Disney Hall, Los Angeles, CA LA Freewaves: How Can You Resist? Inheritance |
| Grande Halle de la Villette, Paris FRANCE Rencontres Internationales Paris/Berlin |
| Urban Institute for Contemporary Arts, Grand Rapids, MI Portal Spaces |
| The Library Company, Philadelphia PA and Bryn Mawr College Picturing Women: Historical Works and Contemporary Responses |
| Gallery 44, Centre for Contemporary Photography, Toronto CANADAOf Kith and Kin: Susan E. Evans, Cynthia Greig & Richard H. Smith, Davida Nemeroff |
| Houston Center for Photography, Houston, TX Truth Matters: The Meaning of Objects |
| CEPA Gallery, Buffalo, NY In the Workspace |
| 2003 |
| International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self Online Exhibition |
| Center for Photography, Woodstock, NY Managing Eden |
| Warren Robbins Gallery, The University of Michigan, Ann Arbor The Playground Show |
| Green Lantern Studios, Mineral Point, WI Inspiration Point |
| Houston Center for Photography, Houston, TX HCP Fellowship Exhibition |
| SPACES, Cleveland, OH Selections: John Benvenuto, Peter Dudek, Cynthia Greig, Cathy Smith & Lorraine Tady |
| 2002 |
| Carl Solway Gallery, Cincinnati, OH The Photographic Edge |
| Institute of Contemporary Art, London, England After Dolly: Art, Science and Ethics Organized By the Compassion For World Farming Trust And Littoral Arts |
| Museum of New Art, Detroit, MI Ground Zero |
| Buckham Gallery, Flint, MI Black or White |
| 2001 |
| University Art Gallery, Central Michigan University, Mt. Pleasant, MI The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen |
| A.I.R. Gallery, New York, NY 4th Biennial |
| Coconino Center for the Arts, Flagstaff, AZ ArtCultureNature |
| Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir |
| 2000 |
| Detroit
Artists Market, Detroit, MI Bounded Intervals: Michele Brody,
Cynthia Greig, Sheila Moss & John Roloff |
| Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice |
| Museum of Art, Suny-Potsdam, NY American Identities |
| Center for Photography at Woodstock, Woodstock, NY Future/Perfect: Modern Fables of Love, Death and Desire |
| Buckham Gallery, Flint, MI Vision as Metaphor: John Dempsey, Cynthia Greig & Miriam Marcus |
| 1999 |
| The
Clement Gallery,Toledo, OH Embellished Truths |
| Detroit Artists Market, Detroit, MI The New Millennium |
| 1998 |
| The Soap Factory, Minneapolis, MN Ten |
| The Wright Museum of Art, Beloit, WI Looking Twice: Cynthia Greig and Michael Hernandez de Luna & Michael Thompson |
| 1997 |
| Gallery
Northwest. Indiana University, Gary, IN Reversing the Gaze:
Women Looking at the Male Nude Institute for the Humanities,
The University of Michigan, Ann Arbor, MI, Images & the
Imaginary |
| 1996 |
| Matrix
Gallery, Ann Arbor, MI Group Consequences: Greig, Keller, Mann,
Nielsen & Skabelund |
| 1995 |
| SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee |
| 1994 |
| The Alternative Museum, New York, NY National Showcase Exhibition |
| The Houston Center for Photography, Houston, TX The Visual Diary |
| Woman Made Gallery, Chicago, IL Beyond Words |
| 1993 |
| A.I.R. Gallery, New York, NY, State of the Arts |
| Kresge Art Museum, East Lansing, MI 13th Michigan Biennial |
| 1992 |
| Urban Institute for Contemporary Art, Grand Rapids, MI Cynthia Greig, Diane Neumaier & Carol Novak |
| Detroit Artists Market, Detroit, MI Pieced Work: Dusty Fleming, Cynthia Greig and Carole Zak. |
| 1 |
| RECENT AWARDS AND HONORS |
| 2007 |
| Aperture Prize, New York, NY, runner-up |
| 2004 |
| Santa Fe Center for Photography, Assignment Earth Award |
| 2003 |
| Houston Center for Photography, HCP Photography Fellowship |
| 2001 |
| Light Work, Syracuse, NY, Artist-in-Residence |
| 1 |
| SELECTED BIBLIOGRAPHY |
| 2009 |
| Petra Mostbacher-Dix. "Faszinierende Perspektiven,” SUR, Dec./Jan. |
| Kenneth Baker. "Review of Complicity at Rena Bransten Gallery" San Francisco Chronicle, February 14. |
| 2008 |
| Georg Leisten. "Milchige Dinggespenster,” Stuttgarter Zeitung, December 5. |
| Joshua Lynch. “Review of Wallspace exhibit,” Seattle Weekly, September 24. |
| Mauricio Alejo. “What a Wonderful World.,” Fahrenheit (Mexico City, Mexico) April, 30-31. |
| Cate McQuaid, "Photographers add new dimensions to still life" Boston Globe, June 25. |
| Angela Faris-Belt. The Elements of Photography. Focal Press, 152-155, 280-283. |
| 2007 |
| Susan Ciccotti. “Aperture Prize Runner-Up” (online editorial essay www.aperture.org) New York, NY |
| Mareesa Nicosia. “Visit dogs, frogs and other ‘not right’ creatures in Tower?” The Stylus, Jan. 30, v. 101, no.12. |
| Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast Ireland, Spring, no.119, 92-94.. |
| 2006 |
| J. Carlos Cantu. “Photography at Concordia” Ann Arbor News, June 11. |
| Cate McQuaid, “Among the Missing” Boston Globe, March 2. |
| Laura Donaldson. After (exhibition catalogue). Boston: Mills Gallery |
| 2005 |
| Amber Whiteside. "Solos: Luis Delgado, Cynthia Greig & Tracey Snelling" Artweek. San Francisco, CA. October, 14. |
| Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15. |
| Gina Occhiogrosso. Reality Show. Exhibition brochure. Troy, NY: Arts Center of the Capital Region. |
| 2004 |
| Ute Nöll, “Fokus auf Cynthia Greig,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7. |
| Alison Kenzie, Of Kith and Kin. Exhibition brochure essay. Toronto, Canada: Gallery 44. |
| 2003 |
| Jessica
Lack. “Belonging” The Guardian Guide (London, UK) Sept.
13-19, 34. |
| Hannah Shuckburgh. “Preview: Elia Alba and Cynthia Greig,” ArtPreview (London, UK) April, 43. |
| Kate Menconeri & Ariel Shanberg. Managing Eden. Online exhibition essay. http://www.cpw.org |
| Rachel Garfield. Belonging. Exhibition catalogue essay. Focal Point Gallery, Essex, UK. |
| Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40. |
| J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1. |
| 2002 |
| Doug Trapp. “Getting the Picture,” City Beat (Cincinnati, OH) December 26-31, 41. |
| Jason Lahr. Cynthia Greig: Little Differences. Brochure essay. Moreau Art Galleries, Notre Dame, IN. |
| Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27. |
| Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10. |
| Carol Novak.”Review of Cynthia Greig at UICA,” New Art Examiner, March/April, 83-84. |
| 2001 |
| Julie
Johnson. "The Return of Beauty in Contemporary Art and Art History,"
in Rendezvous, Pocatello: Idaho State University, Vol. 36, No. 1, Fall, 1 - 21. |
| Katy McCormick. The Bride Wore Trousers. Brochure essay. Gallery 44, Centre for Contemporary Photography, Toronto. |
| Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television, Claude Barnes and J. D. Hazen, Producers |
| Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10. |
| Roger Green. “Artist Expresses Nightmares in Work, Muskegon Chronicle, November 22, 4D. |
| Julia Morrisroe. The Truth of Appearances. Brochure essay. University Gallery, Central Michigan University. |
| 2000 |
| Bounded Intervals. Exhibition catalogue, Detroit Artists Market, 6-7. |
| Dan Mills. American Identities. Exhibition catalogue. Suny-Potsdam Museum of Art. |
| Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4. |
| 1999 |
| Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63. |
| 1998 |
| Institute for the Humanities 1996-97 Annual Report, 6, 12, 16, 26. |
| Patricia Briggs. Review of "Ten, ”City Pages (Minneapolis, MN) October 7, 27-28., |
| 1997 |
| Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor. |
| 1996 |
| J. Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September 28, D1-2. |
| Carol Novak. "Art Moves into the Closet," Agenda (Ann Arbor, MI) January, 14. |
| 1995 |
| Cynthia Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February, 46. |
| Carol Novak. "C. S. Greig: Reinventing One's Identity," Michigan Photography Journal, 14-15. |
| “Bodies of Evidence,” Camerawork, Fall/Winter, 41-42. |
| 1994 |
| Patricia Lee Yongue. "The Rite of Women's Autobiography, Spot (Houston, TX) Spring, 13-14.” |
| J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8. |
| Whitley Setrakian . Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95. |
| 1993 |
| Phylis Floyd. Thirteenth Michigan Biennial. Exhibition catalogue. East Lansing: Kresge Art Museum, |
| 1992 |
| Sara Albert. Review of UICA Exhibition. The Grand Rapids Press, December 23, D6. |
| 1 |
| SELECTED WRITING |
| 2004 |
| “Flying Under the Radar” catalogue essay for Peter Finnemore: Zen Gardener exhibition at Oriel Mostyn Gallery, Llandudno, WALES |
| 2003 |
| Women in Pants: Manly Maidens, Cowgirls and Other Renegades published by Harry N. Abrams, New York, NY. (co-author) |
| 2001 |
| "The Bride Wore Trousers: The Life and Photographs of Isabelle Raymond," essay in The Body Aesthetic, ed. Tobin Siebers, published by The University of Michigan Press, Ann Arbor, MI |
| 2000 |
| Sampler: Chris Caruso, Andrea Champlin, & John Richardson (exhibition catalogue essay), Detroit Artists Market, Detroit, MI |
| 1999 |
| Containers of Memory (curatorial catalogue essay), Detroit Artists Market, Detroit, MI |
| 1998 |
| Un-defining...Print (curatorial catalogue essay), Detroit Artists Market, Detroit, MI |
| 1 |
| EDUCATION |
| 1995 |
| The University of Michigan School of Art + Design, Ann Arbor: MFA |
| 1998 |
| The University of Iowa, Iowa City: MA in art history |
| 1981 |
| Washington University, St. Louis: BFA in printmaking |