home  
images
about the work
about the artist
resume
collections
contact
links
receive email updates
SELECTED SOLO AND TWO-PERSON EXHIBITIONS
2013 Bildkultur, Stuttgart, Germany
2012 DNJ Gallery, Santa Monica, MI
2011 Oakland University Art Gallery, Rochester MI
2010 Witzenhausen Gallery, Amsterdam, The Netherlands
  Clark Gallery, Lincoln, MA
  DNJ Gallery, Los Angeles, CA
2008 Centro Cultural Recoleta, Buenos Aires, Argentina
2007 Museo de la Fotografia, Santa Fe, Argentina
  Richard Levy Gallery, Albuquerque, NM
  Nicole Fiacco Gallery, Hudson NY (with Michal Bachi)
  Foto Arte, Brasilia, Brazil
  Casa de la Cultura, Salta, Argentina
2006 Centro Cultural Recoleta, Buenos Aires, Argentina
2005 San Francisco Camerawork, San Francisco, CA
2003 Focal Point Gallery, Southend-on-Sea England (with Elia Alba)
Margaret Harvey Gallery, St. Albans England (with Elia Alba)
  Weitman Gallery of Photographic Arts, St. Louis, MO
  Art Gallery of Windsor, Windsor, Ontario Canada (with Tyrone Brais)
2002 Moreau Art Galleries, St. Mary’s College, Notre Dame, IN
  Museum of Art, SUNY-Potsdam, NY
2001 Gallery 44, Centre for Contemporary Photography, Toronto, Canada
  Urban Institute for Contemporary Art, Grand Rapids, MI
1998 The Wright Museum of Art, Beloit, WI (with Michael Hernandez de Luna)
   
SELECTED GROUP EXHIBITIONS
2014 Art 1307, Naples, Italy, meta-illusioni
  Designhaus, Darmstadter Tage der Fotografie, Darmstadt, Germany Reflexion — Ästhetische Referenzen
  Krause Gallery, New York, NY Emerging to Established - I
  Verve Gallery, Santa Fe, NM Diffusion Retrospective
2013 Fitchburg Art Museum, Fitchburg MA Still Life Lives
  Beard and Weil Galleries, Wheaton College, Norton, MA, Wheaton Biennial: Drawing Out of Bounds
  Western Michigan University Art Gallery, Kalamazoo, MI, Seventeen Days
  Venice Arts Center, Venice CA, Narrative Space
2012 Carl Solway Gallery, Cincinnati, OH, Body/Objects: Works by Ten Photographers
2011 Museum of Fine Arts, Houston, TX, Beauty, Humor, and Social Justice: Gifts of Joan Morgenstern
  Fred Torres Collaborations, New York, NY, Live from Detroit
  Jean Paul Slusser Gallery, The University of Michigan, Ann Arbor, MI Nothing to Say
  dnj Gallery, Los Angeles, CA, Out of Con(text)
  Clark Gallery, Lincoln, MA Picture Books
  The Butcher’s Daughter. Ferndale MI, Me/We
2010 Pelham Art Center, Pelham, NY, Things Themselves: Contemporary Still Life
  The Camera Club, NY, NY, Drawing Pictures: Jowhara AlSaud, Cynthia Greig, Ashley Reid & Athena Waligore
2009 The Butcher’s Daughter, Ferndale, MI, The Trace of Archive and Memory
  Rena Bransten Gallery, San Francisco, CA, Complicity: Contemporary Photography and the Matter of Sculpture: Ginny Cook, Igor Eskinja, Daniel Gordon, Cynthia Greig, Chris Jones and Vik Muniz
  Klein Art Gallery, University Science Center, Philadelphia PA, The Vitreous: Of Eyes and Optics
  Eastern Michigan University Art Gallery, Ypsilanti, MI, The Elements of Photography
  Smith College Museum of Art, Northampton, MA, Works on Paper
2008 Clark Gallery, Lincoln, MA, Staged
  Delaware Center for Contemporary Art, Wilmington, DE, Philadelphia Collects Works on Paper
2007 Forest City Gallery, London, Ontario, Canada, Stranger than Fiction - The Delicate Art of Faking History
  Museum of Contemporary Photography, Chicago, IL, Relative Closeness: Portraits of Family & Friends
  Catalyst Arts, Belfast, Ireland, Trauma Interrupted: The Felt Experience Project
  Tower Fine Arts Gallery, SUNY Brockport, NY, Not Right: Artists Alter Natural Schemes
2006 The Gallery Project, Ann Arbor, MI, Humor and Art
  Mills Gallery, Boston Center for the Arts, Boston, MA, After
  OpenSource Art, Champaign, IL, Spectacles of the Real
2005 South Bend Regional Art Museum, South Bend, IN, Biennial 23
2004 Harvestworks, NY, NY, Whiz Bang: Videos by Emerging Artists
  RedCat Theater, Disney Hall, Los Angeles, CA, LA Freewaves How Can You Resist? Inheritance
  Gallery 44, Centre for Contemporary Photography, Toronto, Canada, Of Kith and Kin
  Houston Center for Photography, Houston TX, Truth Matters: The Meaning of Objects
  The Library Company, Philadelphia PA and Bryn Mawr College, Picturing Women: Historical Works and Contemporary Responses
2003 International Center for Photography, New York, NY, Only Skin Deep: Changing Visions of the American Self Online Exhibition
  Center for Photography, Woodstock, NY, Managing Eden
  Warren Robbins Gallery, The University of Michigan, Ann Arbor, MI, The Playground Show
  SPACES, Cleveland, OH, Selections:  John Benevuto, Peter Dudek, Cynthia Greig, Cathy Smith, Lorraine Tady
2002 Carl Solway Gallery, Cincinnati, OH, The Photographic Edge
  Buckham Gallery, Flint, MI, Black or White
  Museum of New Art, Detroit, MI, Ground Zero
2001 University Art Gallery, Central Michigan University, Mt. Pleasant, MI, The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen
  Penelec Gallery, Allegheny College, Meadville, PA, Apocalypse Noir
2000 Detroit Artists Market, Detroit, MI, Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff
  Ukrainian Institute of Modern Art, Chicago, IL, Curator's Choice
  Buckham Gallery, Flint, MI, Vision as Metaphor
1998 The Soap Factory, Minneapolis, MN, Ten
1997 Institute for the Humanities, The University of Michigan, Ann Arbor, MI, Images & the Imaginary
1996 Matrix Gallery, Ann Arbor, MI, Group Consequences
1995 SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee
1994 The Alternative Museum, New York, NY, National Showcase Exhibition
  The Houston Center for Photography, Houston, TX, The Visual Diary
1993 Kresge Art Museum, East Lansing, MI, 13th Michigan Biennial
1992 Detroit Artists Market, Detroit MI, Pieced Work
   
SELECTED BIBLIOGRAPHY
2014 Kai Bucholz, et. al. Reflexion—Ästhetische Referenzen, Designhaus (exhibiton catalogue), Darmstadt, Germany, 9, 66-71, 232.
2013 Michael Petry. Nature Morte: Contemporary Artists Re-Invigorate the Still Life Tradition, Thames and Hudson.
2012 ARam Kim. "Interview with Cynthia Greig" BLINK, (Seoul), May, 12pp.
  Helena Celdrán. “Cynthia Greig, fotografías que podrían ser dibujos,” ,” 20 minutos(Spain), May 3.
2011 Dick Goody. Cynthia Greig: Subverting the (un)Conventional (exhibition catalogue)Rochester, MI: Oakland University
  Michael Hodges. “Cynthia Greig Retrospective Jiggles Lens on Reality,” The Detroit News, February 17, 17M.
  Robert De Valle. “Subversive Clause,” Real Detroit Weekly, Jan. 4, 14.
  Gabrielle Pescador. Review of Subverting the (un)Conventional, Real Detroit Weekly, Feb. 28.
  Herbert Ascherman. As We See Them: Exotic and Erotic Images from Contemporary Alternative Process Photographers (exhibition catalogue), Bloomington, IN: The Kinsey Institute for Research in Sex, Gender and Reproduction.
2010 ARam Kim. “Cynthia Greig: Welcome to My Week” Photo+ (Seoul, Korea) October, 88-95.
  Elizabeth Saperstein and Nancy Warner. The Things Themselves (exhibition brochure essay),Pelham, NY: Pelham Art Center.
  Leah Ollman. “These Rich Textures of Life,” Los Angeles Times, June 25, D15.
  Michael Van Der Tol. “Artist Profile: Interview with Cynthia Greig,” Diffusion—Unconventional Photography, v. 2, 26-32.
  Erin Feher. “The Best in Art, Auctions & Gallery Openings.” California Home + Design, June, 46.
2009 Kenneth Baker. “Review of Complicity,” San Francisco Chronicle, Feb. 14.
  Christina Penn-Goetsch. “Review of Re-Framing Representations of Women, Susan Shifrin ed.,” SECAC Review, Vol. XLI, No. 2.
  Roberta Fallon. “What You See isn’t Always What You Get at Klein Art Gallery,” Philadelphia Weekly, Aug.12.
  Edith Newhall. “Eye-centric Exhibition Provoking Looks and Laughs, Philadelphia Inquirer, Aug. 2.
  Monica Bowman. The Trace of Archive and Memory (exhibition catalogue), Ferndale, MI: The Butcher’s Daughter Gallery.
  Petra Mostbacher-Dix. “Faszinierende Perspektiven,” SUR, Dec/Jan 2009.
2008 Susan Shifrin, ed. Re-Framing Representations of Women, Hampshire England: Ashgate Publishing, 2008, 129, 247-249.
  Georg Leisten. “Milchige Dinggespenster,” Stuttgarter Zeitung, December 5.
  Joshua Lynch. “Review of Wallspace Exhibit,” Seattle Weekly, September 24.
  Mauricio Alejo. “What a Wonderful World,” Fahrenheit (Mexico City, Mexico), April, 30-31.
  Cate McQuaid.  “Photographers Add New Dimensions to Still Life,” Boston Globe, June 25.
  Angela Faris-Belt. The Elements of Photography. Burlington, MA: Focal Press, 152-155, 280-283.
2007 Susan Ciccotti. “Aperture Prize Runner-Up” (online essay www.aperture.org) New York, NY.
  Mareesa Nicosia. " Visit Dogs, Frogs and Other ‘ Not Right’ Creatures in Tower” The Stylus, Jan. 30, v. 101, no.12.
  Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast, Ireland, Spring, no.119, 92-94.
  Dan Ehrenworth. “Stranger than Fiction”
(online essay: www.danielehrenworth.com/strangerthanfiction.html)
  Karla Osorio Netto. Natureza, Meo Ambiente e Sustentabilidade, Brasilia: Foto Arte Brasilia, 127-129.
2006 Silvia Mangialardi. “Sobre las apariencias,” Fotomundo Buenos Aires, Argentina, September, 58-62.
  Elda Harrington and Alejandro Montes de Oca, Realidad(i)realidad (exhibition catalogue), Buenos Aires: Festival de la Luz, 48-49.
  Cate McQuaid, “Among the Missing” Boston Globe, March 2.
  Laura Donaldson. After (exhibition catalogue). Boston Center for the Arts, Boston MA, 21-22.
2005 Amber Whiteside. "Solos” Artweek. San Francisco, CA. October, 14.
  Rebecca Mazzei. "Room to Breath. Vintage Photos Show Men and Women Breaking the Rules," Metro Times (Detroit), June 8.
  Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15.
  Gina Occhiogrosso. Reality Show (exhibition brochure), Troy, NY: Arts Center of the Capital Region.
2004 Ute Nöll, “Fokus,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7.
  Alison Kenzie, Of Kith and Kin (exhibition brochure essay), Toronto, Canada: Gallery 44.
2003 Jessica Lack. “Belonging” The Guardian Guide, London UK Sept. 13-19, 34.
  Hannah Shuckburgh. “Preview: Belonging” ArtPreview London UK, April, 43.
  Rachel Garfield. Belonging (exhibition catalogue), Essex, UK: Focal Point Gallery.
  Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40.
  J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1.
2002 Jason Lahr. Cynthia Greig: Little Differences (exhibitionbrochure), Moreau Art Galleries, Notre Dame, IN.
  Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27.
  Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10.
  Carol Novak. ”Review of UICA solo exhibit,” New Art Examiner, March/April, 83-84.
2001 Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," Rendezvous, Vol. 36, No. 1, Fall, 9-11.
  Katy McCormick. The Bride Wore Trousers (exhibition brochure), Gallery 44, Centre for Contemporary Photography, Toronto, Canada.
  Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television
  Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10.
2000 Dan Mills. American Identities (exhibition catalogue), SUNY-Potsdam Museum of Art.
  Joy Hakansan Colby. “Artists Market Eclectic Show Works,” Detroit News, 9D.
  Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4.
1999 Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63.
1998 Patricia Briggs. Review of "Ten," City Pages, Minneapolis MN October 7, 27-28.
1997 Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor MI.
1996 J. Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September 28, D1-2.
  Carol Novak. "Art Moves into the Closet," Agenda, Ann Arbor MI, January, 14.
1995 Cynthia Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February, 46.
  Carol Novak. "Reinventing One's Identity," Michigan Photography Journal, 14-15.
  Beth Goldberg. “Bodies of Evidence,” Camerawork, San Francisco CA Fall/Winter, 41-42.
1994 Patricia Lee Yongue. "The Rite of Women's Autobiography,” Spot, Houston TX, Spring, 13-14.
  J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8.
  Whitley Setrakian. Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95.
   
SELECTED AWARDS AND HONORS
2012 Project Grant, Camera Club of New York, NY
2009 SFCamerawork Fine Print Program, San Francisco CA
2007 APERTURE Magazine, New York NY, Aperture Prize Runner-Up
PHOTOLUCIDA, Critical Mass Top 50 Finalist
2004 Santa Fe Center for Photography, Assignment Earth Award
2003 Houston Center for Photography, HCP Photography Fellowship
2001 Light Work, Syracuse, NY, Artist-in-Residence
   
EDUCATION
1995 The University of Michigan School of Art + Design, Ann Arbor, MI, MFA Photography
1988 The University of Iowa, Iowa City, IA, MA Art History
1981 Washington University, St. Louis, MO, BFA Printmaking