home
images
about the work
about the artist
resume
collections
contact
links
receive email updates
RECENT SOLO AND TWO-PERSON EXHIBITIONS
2008
Wall Space, Seattle, WA Objectivity
UNO Art Space, Stuttgart, GERMANY Objektivitat
2007
Richard Levy Gallery, Albuquerque, NM The Project Room
Foto Arte Brasilia, BRAZIL From the Garden of Natural and Not So Natural Wonders
Museo de la Fotografia, Santa Fe, ARGENTINA, Representaciones
Nicole Fiacco Gallery, Hudson, NY Altered States: Michal Bachi and Cynthia Greig.
Casa de la Cultura, Salta, ARGENTINA Representaciones
2006
Centro Cultural Recoleta, Buenos Aires, ARGENTINA Realidad/(i) Realidad: Cynthia Greig
2005
San Francisco Camerawork, San Francisco, CA Solos: Representations
2003
Focal Point Gallery, Southend-on-Sea ENGLAND Belong:Elia Alba & Cynthia Greig
Margaret Harvey Gallery, St. Albans, ENGLAND
Weitman Gallery of Photographic Arts, St. Louis, MO
Art Gallery of Windsor, Windsor, Ontario CANADA Little Things @Life-Size: Tyrone Brais & Cynthia Greig
2002
Studio 1650, Kessler-Francis-Cardoza, Detroit, MI
Moreau Art Galleries, St. Mary’s College, Notre Dame, IN
Museum of Art, Suny-Potsdam, NY
2001

Gallery 44, Centre for Contemporary Photography, Toronto CANADA

Urban Institute for Contemporary Art, Grand Rapids, MI
1

SELECTED GROUP EXHIBITIONS

2009
Rena Bransten Gallery, San Francisco, CA Complicity: Photography and the Matter of Sculpture
The Butcher's Daughter, Ferndale, MI The Trace of Archive and Memory
UNO Art Space, Stuttgart, GERMANY, Wonderland
Smith College Museum of Art, Northampton, MA, Works on Paper
University Art Gallery, Eastern Michigan University, Ypsilanti, MI The Elements of Photography
2008
John Jellico Gallery, Denver CO The Elements of Photography
Clark Gallery, Lincoln MA Staged
AIPAD New York, NY (Stephen Bulger Gallery)
Pulse, New York, NY (Richard Levy Gallery)
PhotoLA, Los Angeles CA (Wall Space Seattle)
2007
Forest City Gallery, London (Ontario), CANADA Stranger than Fiction-The Delicate Art of Faking History
The Center for Contemporary Photography, Chicago, IL Relative Closeness: Portraits of Family and Friends
The Catalyst Arts, Belfast, IRELAND Trauma Interrupted: The Felt Experience Project
The Tower Fine Arts Gallery, SUNY Brockport, NY Not Right: Artists Alter Natural Schemes
AIPAD Miami, FL (Stephen Bulger Gallery)
Art Miami (Richard Levy Gallery)
Wall Space Gallery, Seattle, WA (20)Views + (4)Collaborations
Opensource Art, Champaign, IL Collected
2006
The Arts Center, St. Petersburg, FL Project Creo: Cross Roads
Kreft Center Gallery, Ann Arbor, MI MI Dimensions of Photography
Mills Gallery, Boston Center for the Arts, Boston, MA After
OpenSource Art, Champaign, IL Spectacles of the Real
2005
South Bend Regional Art Museum, South Bend, IN Biennial 23
The Arts Center of the Capital Region, Troy, NY Reality Show (continued from 2004) 
2004
Harvestworks, New York, NY Whiz Bang: Videos by Emerging Artists
RedCat Theater at Disney Hall, Los Angeles, CA LA Freewaves: How Can You Resist? Inheritance
Grande Halle de la Villette, Paris FRANCE Rencontres Internationales Paris/Berlin
Urban Institute for Contemporary Arts, Grand Rapids, MI Portal Spaces
The Library Company, Philadelphia PA and Bryn Mawr College Picturing Women: Historical Works and Contemporary Responses
Gallery 44, Centre for Contemporary Photography, Toronto CANADAOf Kith and Kin: Susan E. Evans, Cynthia Greig & Richard H. Smith, Davida Nemeroff
Houston Center for Photography, Houston, TX Truth Matters: The Meaning of Objects
CEPA Gallery, Buffalo, NY In the Workspace
2003
International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self Online Exhibition
Center for Photography, Woodstock, NY Managing Eden
Warren Robbins Gallery, The University of Michigan, Ann Arbor The Playground Show
Green Lantern Studios, Mineral Point, WI Inspiration Point
Houston Center for Photography, Houston, TX HCP Fellowship Exhibition
SPACES, Cleveland, OH Selections: John Benvenuto, Peter Dudek, Cynthia Greig, Cathy Smith & Lorraine Tady
2002
Carl Solway Gallery, Cincinnati, OH The Photographic Edge
Institute of Contemporary Art, London, England After Dolly: Art, Science and Ethics Organized By the Compassion For World Farming Trust And Littoral Arts
Museum of New Art, Detroit, MI Ground Zero
Buckham Gallery, Flint, MI Black or White
2001
University Art Gallery, Central Michigan University, Mt. Pleasant, MI The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen
A.I.R. Gallery, New York, NY 4th Biennial
Coconino Center for the Arts, Flagstaff, AZ ArtCultureNature
Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir
2000

Detroit Artists Market, Detroit, MI Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff

Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice
Museum of Art, Suny-Potsdam, NY American Identities
Center for Photography at Woodstock, Woodstock, NY Future/Perfect: Modern Fables of Love, Death and Desire
Buckham Gallery, Flint, MI Vision as Metaphor: John Dempsey, Cynthia Greig & Miriam Marcus
1999

The Clement Gallery,Toledo, OH Embellished Truths

Detroit Artists Market, Detroit, MI The New Millennium
1998
The Soap Factory, Minneapolis, MN Ten
The Wright Museum of Art, Beloit, WI Looking Twice: Cynthia Greig and Michael Hernandez de Luna & Michael Thompson
1997

Gallery Northwest. Indiana University, Gary, IN Reversing the Gaze: Women Looking at the Male Nude Institute for the Humanities, The University of Michigan, Ann Arbor, MI, Images & the Imaginary

1996

Matrix Gallery, Ann Arbor, MI Group Consequences: Greig, Keller, Mann, Nielsen & Skabelund

1995
SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee
1994
The Alternative Museum, New York, NY National Showcase Exhibition
The Houston Center for Photography, Houston, TX The Visual Diary
Woman Made Gallery, Chicago, IL Beyond Words
1993
A.I.R. Gallery, New York, NY, State of the Arts
Kresge Art Museum, East Lansing, MI 13th Michigan Biennial
1992
Urban Institute for Contemporary Art, Grand Rapids, MI Cynthia Greig, Diane Neumaier & Carol Novak
Detroit Artists Market, Detroit, MI Pieced Work: Dusty Fleming, Cynthia Greig and Carole Zak.
1
RECENT AWARDS AND HONORS
2007
Aperture Prize, New York, NY, runner-up
2004
Santa Fe Center for Photography, Assignment Earth Award
2003
Houston Center for Photography, HCP Photography Fellowship
2001
Light Work, Syracuse, NY, Artist-in-Residence
1
SELECTED BIBLIOGRAPHY
2009
Petra Mostbacher-Dix. "Faszinierende Perspektiven,” SUR, Dec./Jan.
Kenneth Baker. "Review of Complicity at Rena Bransten Gallery" San Francisco Chronicle, February 14.
2008
Georg Leisten. "Milchige Dinggespenster,” Stuttgarter Zeitung, December 5.
Joshua Lynch. “Review of Wallspace exhibit,” Seattle Weekly, September 24.
Mauricio Alejo. “What a Wonderful World.,” Fahrenheit (Mexico City, Mexico) April, 30-31.
Cate McQuaid, "Photographers add new dimensions to still life" Boston Globe, June 25.
Angela Faris-Belt. The Elements of Photography. Focal Press, 152-155, 280-283.
2007
Susan Ciccotti. “Aperture Prize Runner-Up” (online editorial essay www.aperture.org) New York, NY
Mareesa Nicosia. “Visit dogs, frogs and other ‘not right’ creatures in Tower?” The Stylus, Jan. 30, v. 101, no.12.
Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast Ireland, Spring, no.119, 92-94..
2006
J. Carlos Cantu. “Photography at Concordia” Ann Arbor News, June 11.
Cate McQuaid, “Among the Missing” Boston Globe, March 2.
Laura Donaldson. After (exhibition catalogue). Boston: Mills Gallery
2005
Amber Whiteside. "Solos: Luis Delgado, Cynthia Greig & Tracey Snelling" Artweek. San Francisco, CA. October, 14.
Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15.
Gina Occhiogrosso. Reality Show. Exhibition brochure. Troy, NY: Arts Center of the Capital Region.
2004
 Ute Nöll, “Fokus auf Cynthia Greig,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7.
Alison Kenzie, Of Kith and Kin. Exhibition brochure essay. Toronto, Canada: Gallery 44.
2003

Jessica Lack. “Belonging” The Guardian Guide (London, UK) Sept. 13-19, 34.

Hannah Shuckburgh. “Preview: Elia Alba and Cynthia Greig,” ArtPreview (London, UK) April, 43.
Kate Menconeri & Ariel Shanberg. Managing Eden. Online exhibition essay. http://www.cpw.org
Rachel Garfield. Belonging. Exhibition catalogue essay. Focal Point Gallery, Essex, UK.
Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40.
J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1.
2002
Doug Trapp. “Getting the Picture,” City Beat (Cincinnati, OH) December 26-31, 41.
Jason Lahr. Cynthia Greig: Little Differences. Brochure essay. Moreau Art Galleries, Notre Dame, IN.
Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27.
Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10.
Carol Novak.”Review of Cynthia Greig at UICA,” New Art Examiner, March/April, 83-84.
2001
Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," in Rendezvous, Pocatello:
Idaho State University, Vol. 36, No. 1, Fall, 1 - 21.
Katy McCormick. The Bride Wore Trousers. Brochure essay. Gallery 44, Centre for Contemporary Photography, Toronto.
Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television, Claude Barnes and J. D. Hazen, Producers
Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10.
Roger Green. “Artist Expresses Nightmares in Work, Muskegon Chronicle, November 22, 4D.
Julia Morrisroe. The Truth of Appearances. Brochure essay. University Gallery, Central Michigan University.
2000
Bounded Intervals. Exhibition catalogue, Detroit Artists Market, 6-7.
Dan Mills. American Identities. Exhibition catalogue. Suny-Potsdam Museum of Art.
Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4.
1999
Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63.
1998
Institute for the Humanities 1996-97 Annual Report, 6, 12, 16, 26.
Patricia Briggs. Review of "Ten, ”City Pages (Minneapolis, MN) October 7, 27-28.,
1997
Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor.
1996
J. Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September 28, D1-2.
Carol Novak. "Art Moves into the Closet," Agenda (Ann Arbor, MI) January, 14.
1995
Cynthia Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February, 46.
Carol Novak. "C. S. Greig: Reinventing One's Identity," Michigan Photography Journal, 14-15.
“Bodies of Evidence,” Camerawork, Fall/Winter, 41-42.
1994
Patricia Lee Yongue. "The Rite of Women's Autobiography, Spot (Houston, TX) Spring, 13-14.”
J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8.
Whitley Setrakian . Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95.
1993
Phylis Floyd. Thirteenth Michigan Biennial. Exhibition catalogue. East Lansing: Kresge Art Museum,
1992
Sara Albert. Review of UICA Exhibition. The Grand Rapids Press, December 23, D6.

1

SELECTED WRITING
2004
“Flying Under the Radar” catalogue essay for Peter Finnemore: Zen Gardener exhibition at Oriel Mostyn Gallery, Llandudno, WALES
2003
Women in Pants: Manly Maidens, Cowgirls and Other Renegades published by Harry N. Abrams, New York, NY. (co-author)
2001
"The Bride Wore Trousers: The Life and Photographs of Isabelle Raymond," essay in The Body Aesthetic,
ed. Tobin Siebers, published by The University of Michigan Press, Ann Arbor, MI
2000
Sampler: Chris Caruso, Andrea Champlin, & John Richardson (exhibition catalogue essay), Detroit Artists Market, Detroit, MI
1999
Containers of Memory (curatorial catalogue essay), Detroit Artists Market, Detroit, MI
1998
Un-defining...Print (curatorial catalogue essay), Detroit Artists Market, Detroit, MI
1
EDUCATION
1995  
The University of Michigan School of Art + Design, Ann Arbor: MFA  
1998
The University of Iowa, Iowa City: MA in art history
1981
Washington University, St. Louis: BFA in printmaking