resume

SELECTED SOLO AND TWO-PERSON EXHIBITIONS
2013	bildkultur, Stuttgart, Germany
2012	dnj Gallery, Santa Monica, MI
2011	Oakland University Art Gallery, Rochester MI Cynthia Greig: Subverting the (un)Conventional
2010	Witzenhausen Gallery, Amsterdam, The Netherlands
	Clark Gallery, Lincoln, MA
	dnj Gallery, Los Angeles, CA
2008	Centro Cultural Recoleta, Buenos Aires, Argentina
	Cabildo de la Ciudad, NIU Festival, Córdoba, Argentina
2007	Museo de la Fotografia, Santa Fe, Argentina
	Richard Levy Gallery, Albuquerque, NM
	Foto Arte, Brasilia, Brazil
	Casa de la Cultura, Salta, Argentina
2006	Centro Cultural Recoleta, Buenos Aires, Argentina
	Cabildo de la Ciudad, NIU Festival, Córdoba, Argentina
2005	San Francisco Camerawork, San Francisco, CA
2003	Focal Point Gallery, Southend-on-Sea England and Margaret Harvey Gallery, St. Albans England
	Weitman Gallery of Photographic Arts, St. Louis, MO
	Art Gallery of Windsor, Windsor, Ontario Canada
2002	Moreau Art Galleries, St. Mary’s College, Notre Dame, IN
	Museum of Art, SUNY-Potsdam, NY
2001	Gallery 44, Centre for Contemporary Photography, Toronto, Canada
	Urban Institute for Contemporary Art, Grand Rapids, MI
1998	The Wright Museum of Art, Beloit, WI

SELECTED GROUP EXHIBITIONS
2013	Ohio University Art Gallery, Athens, OH, Photo Alternatives: Borders and Boundaries
	Beard and Weil Galleries, Wheaton College, Norton, MA, Wheaton Biennial: Drawing Out of Bounds
	Farnsworth Museum, Rockland ME, Rockland Shorts
	Western Michigan University Art Gallery, Kalamazoo, MI, Seventeen Days
2012	Carl Solway Gallery, Cincinnati, OH, Body/Objects: Works by Ten Photographers
2011	Museum of Fine Arts, Houston, TX, Beauty, Humor, and Social Justice: Gifts of Joan Morgenstern
	Fred Torres Collaborations, New York, NY, Live from Detroit
	Jean Paul Slusser Gallery, The University of Michigan, Ann Arbor, MI Nothing to Say
	dnj Gallery, Los Angeles, CA, Out of Con(text)
	Clark Gallery, Lincoln, MA Picture Books
	The Butcher’s Daughter. Ferndale MI, Me/We
	The Kinsey Institute, Bloomington IN, As We See Them: Exotic and Erotic Images from Modern Alternative Process Photographers
2010	Pelham Art Center, Pelham, NY, The Things Themselves: Contemporary Still Life
	The Camera Club, NY, NY, Drawing Pictures: Jowhara AlSaud, Cynthia Greig, Ashley Reid & Athena Waligore
	Concord Art Association, Concord MA, Seeing is Believing
2009	The Butcher’s Daughter, Ferndale, MI, The Trace of Archive and Memory
	Rena Bransten Gallery, San Francisco, CA, Complicity: Contemporary Photography and the Matter of Sculpture: Ginny Cook, Igor Eskinja, Daniel Gordon, Cynthia Greig, Chris Jones and Vik Muniz
	Klein Art Gallery, University Science Center, Philadelphia PA, The Vitreous: Of Eyes and Optics
	Eastern Michigan University Art Gallery, Ypsilanti, MI, The Elements of Photography
	Smith College Museum of Art, Northampton, MA, Works on Paper
2008	Clark Gallery, Lincoln, MA, Staged
	Delaware Center for Contemporary Art, Wilmington, DE, Philadelphia Collects Works on Paper
2007	Forest City Gallery, London, Ontario, Canada, Stranger than Fiction - The Delicate Art of Faking History
	Museum of Contemporary Photography, Chicago, IL, Relative Closeness: Portraits of Family & Friends
	Catalyst Arts, Belfast, Ireland, Trauma Interrupted: The Felt Experience Project
	Tower Fine Arts Gallery, SUNY Brockport, NY, Not Right: Artists Alter Natural Schemes
2006	The Gallery Project, Ann Arbor, MI, Humor and Art
	Mills Gallery, Boston Center for the Arts, Boston, MA, After
	OpenSource Art, Champaign, IL, Spectacles of the Real
2005	South Bend Regional Art Museum, South Bend, IN, Biennial 23
	The Arts Center of the Capital Region, Troy, NY, Reality Show
2004	Harvestworks, NY, NY, Whiz Bang: Videos by Emerging Artists
	RedCat Theater, Disney Hall, Los Angeles, CA, LA Freewaves How Can You Resist? Inheritance
	Gallery 44, Centre for Contemporary Photography, Toronto, Canada, Of Kith and Kin
	Houston Center for Photography, Houston TX, Truth Matters: The Meaning of Objects
	Grande Halle de la Villette, Paris France, Rencontres Internationales Paris/Berlin
	The Library Company, Philadelphia PA and Bryn Mawr College, Picturing Women: Historical Works and Contemporary Responses
2003	International Center for Photography, New York, NY, Only Skin Deep: Changing Visions of the American Self Online Exhibition
	Center for Photography, Woodstock, NY, Managing Eden
	Warren Robbins Gallery, The University of Michigan, Ann Arbor, MI, The Playground Show
	SPACES, Cleveland, OH, Selections: John Benevuto, Peter Dudek, Cynthia Greig, Cathy Smith, Lorraine Tady
2002	Carl Solway Gallery, Cincinnati, OH, The Photographic Edge
	Buckham Gallery, Flint, MI, Black or White
	Museum of New Art, Detroit, MI, Ground Zero
	Institute of Contemporary Art, London, England, After Dolly: Art, Science and Ethics ORGANIZED BY THE COMPASSION FOR WORLD FARMING TRUST AND LITTORAL ARTS
2001	University Art Gallery, Central Michigan University, Mt. Pleasant, MI, The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen
	Coconino Center for the Arts, Flagstaff, AZ, ArtCultureNature
	Penelec Gallery, Allegheny College, Meadville, PA, Apocalypse Noir
2000	Detroit Artists Market, Detroit, MI, Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff
	Ukrainian Institute of Modern Art, Chicago, IL, Curator's Choice
	Buckham Gallery, Flint, MI, Vision as Metaphor
1999	The Clement Gallery, Toledo, OH, Embellished Truths
	Detroit Artists Market, Detroit, MI, The New Millennium
1998	The Soap Factory, Minneapolis, MN, Ten
1997	Gallery Northwest. Indiana University, Gary, IN, Reversing the Gaze: Women Looking at the Male Nude
	Institute for the Humanities, The University of Michigan, Ann Arbor, MI, Images & the Imaginary
1996	Matrix Gallery, Ann Arbor, MI, Group Consequences
1995	SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee
1994	The Alternative Museum, New York, NY, National Showcase Exhibition
	The Houston Center for Photography, Houston, TX, The Visual Diary
1993	Kresge Art Museum, East Lansing, MI, 13th Michigan Biennial
1992	Detroit Artists Market, Detroit MI, Pieced Work

SELECTED BIBLIOGRAPHY
2013	Michael Petry. Nature Morte: Contemporary Artists Re-Invigorate the Still Life Tradition, Thames and Hudson.
2012	ARam Kim. "Interview with Cynthia Greig" BLINK, (Seoul), May, 12pp.
	Helena Celdran. “Cynthia Greig, fotografías que podrían ser dibujos,” ,” 20 minutos(Spain), May 3.
2011	Dick Goody. Cynthia Greig: Subverting the (un)Conventional (exhibition catalogue)Rochester, MI: Oakland University
	Michael Hodges. “Cynthia Greig Retrospective Jiggles Lens on Reality,” The Detroit News, February 17, 17M.
	Robert De Valle. “Subversive Clause,” Real Detroit Weekly, Jan. 4, 14.
	Herbert Ascherman. As We See Them: Exotic and Erotic Images from Contemporary Alternative Process Photographers (exhibition catalogue), Bloomington, IN: The Kinsey Institute for Research in Sex, Gender and Reproduction.
2010	Aram Kim. “Cynthia Greig: Welcome to My Week” Photo+ (Seoul, Korea) October, 88-95.
	Elizabeth Saperstein and Nancy Warner. The Things Themselves (exhibition brochure essay),Pelham, NY: Pelham Art Center.
	Leah Ollman. “These Rich Textures of Life,” Los Angeles Times, June 25, D15.
	Michael Van Der Tol. “Artist Profile: Interview with Cynthia Greig,” Diffusion—Unconventional Photography, v. 2, 26-32.
	Erin Feher. “The Best in Art, Auctions & Gallery Openings.” California Home + Design, June, 46.
2009	Kenneth Baker. “Review of Complicity,” San Francisco Chronicle, Feb. 14.
	Christina Penn-Goetsch. “Review of Re-Framing Representations of Women, Susan Shifrin ed.,” SECAC Review, Vol. XLI, No. 2.
	Roberta Fallon. “What You See isn’t Always What You Get at Klein Art Gallery,” Philadelphia Weekly, Aug.12.
	Edith Newhall. “Eye-centric Exhibition Provoking Looks and Laughs, Philadelphia Inquirer, Aug. 2.
	Monica Bowman. The Trace of Archive and Memory (exhibition catalogue), Ferndale, MI: The Butcher’s Daughter Gallery.
	Petra Mostbacher-Dix. “Faszinierende Perspektiven,” SUR, Dec/Jan 2009.
2008	Susan Shifrin, ed. Re-Framing Representations of Women, Hampshire England: Ashgate Publishing, 2008, 129, 247-249.
	Georg Leisten. “Milchige Dinggespenster,” Stuttgarter Zeitung, December 5.
	Joshua Lynch. “Review of Wallspace Exhibit,” Seattle Weekly, September 24.
	Mauricio Alejo. “What a Wonderful World,” Fahrenheit (Mexico City, Mexico), April, 30-31.
	Cate McQuaid. “Photographers Add New Dimensions to Still Life,” Boston Globe, June 25.
	Angela Faris-Belt. The Elements of Photography. Burlington, MA: Focal Press, 152-155, 280-283.
2007	Susan Ciccotti. “Aperture Prize Runner-Up” (online essay www.aperture.org) New York, NY.
	Mareesa Nicosia. " Visit Dogs, Frogs and Other ‘ Not Right’ Creatures in Tower” The Stylus, Jan. 30, v. 101, no.12.
	Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast, Ireland, Spring, no.119, 92-94.
	Dan Ehrenworth. “Stranger than Fiction” (online essay: www.danielehrenworth.com/strangerthanfiction.html)
	Karla Osorio Netto. Natureza, Meo Ambiente e Sustentabilidade, Brasilia: Foto Arte Brasilia, 127-129.
2006	Silvia Mangialardi. “Sobre las apariencias,” Fotomundo Buenos Aires, Argentina, September, 58-62.
	Elda Harrington and Alejandro Montes de Oca, Realidad(i)realidad (exhibition catalogue), Buenos Aires: Festival de la Luz, 48-49.
	Cate McQuaid, “Among the Missing” Boston Globe, March 2.
	Laura Donaldson. After (exhibition catalogue). Boston Center for the Arts, Boston MA, 21-22.
2005	Amber Whiteside. "Solos” Artweek. San Francisco, CA. October, 14.
	Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15.
	Gina Occhiogrosso. Reality Show (exhibition brochure), Troy, NY: Arts Center of the Capital Region.
2004	Ute Nöll, “Fokus,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7.
	Alison Kenzie, Of Kith and Kin (exhibition brochure essay), Toronto, Canada: Gallery 44.
2003	Jessica Lack. “Belonging” The Guardian Guide, London UK Sept. 13-19, 34.
	Hannah Shuckburgh. “Preview: Belonging” ArtPreview London UK, April, 43.
	Rachel Garfield. Belonging (exhibition catalogue), Essex, UK: Focal Point Gallery.
	Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40.
	J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1.
2002	Jason Lahr. Cynthia Greig: Little Differences (exhibitionbrochure), Moreau Art Galleries, Notre Dame, IN.
	Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27.
	Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10.
	Carol Novak. ”Review of UICA solo exhibit,” New Art Examiner, March/April, 83-84.
2001	Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," Rendezvous, Vol. 36, No. 1, Fall, 9-11.
	Katy McCormick. The Bride Wore Trousers (exhibition brochure), Gallery 44, Centre for Contemporary Photography, Toronto, Canada.
	Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television
	Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10.
2000	Dan Mills. American Identities (exhibition catalogue), SUNY-Potsdam Museum of Art.
	Joy Hakansan Colby. “Artists Market Eclectic Show Works,” Detroit News, 9D.
	Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4.
1999	Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63.
1998	Patricia Briggs. Review of "Ten," City Pages, Minneapolis MN October 7, 27-28.
1997	Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor MI.
1996	J. Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September 28, D1-2.
	Carol Novak. "Art Moves into the Closet," Agenda, Ann Arbor MI, January, 14.
1995	Cynthia Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February, 46.
	Carol Novak. "Reinventing One's Identity," Michigan Photography Journal, 14-15.
	Beth Goldberg. “Bodies of Evidence,” Camerawork, San Francisco CA Fall/Winter, 41-42.
1994	Patricia Lee Yongue. "The Rite of Women's Autobiography,” Spot, Houston TX, Spring, 13-14.
	J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8.
	Whitley Setrakian. Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95.

SELECTED AWARDS AND HONORS
2012	Project Grant, Camera Club of New York, NY,
2009	SFCamerawork Fine Print Program, San Francisco CA
2007	APERTURE Magazine, New York NY, Aperture Prize Runner-Up (one of four)
2007	PHOTOLUCIDA, Critical Mass Top 50 FInalist
2004	Santa Fe Center for Photography, Assignment Earth Award
2003	Houston Center for Photography, HCP Photography Fellowship
2001	Light Work, Syracuse, NY, Artist-in-Residence

EDUCATION
1995	The University of Michigan School of Art + Design, Ann Arbor, MI, MFA Photography
1988	The University of Iowa, Iowa City, IA, MA Art History
1981	Washington University, St. Louis, MO, BFA Printmaking