The line has in itself neither matter nor substance and may rather be called an imaginary idea than a real object.
—The Notebooks of Leonardo da Vinci
I’m fascinated by the persuasive power of the photograph, and its unique role in negotiating what we believe to be real or true.
Nature Morte revisits the tradition of still life to explore photography’s relationship to the vanitas themes of death, decay, and transience while meditating on the nature of reality and illusion. Exploiting the camera’s monocular point of view, I create two-dimensional photographic documents of three-dimensional drawings, rendering physical objects to first appear as crude and simple outlines. The photographs deny expectations to encourage the observation of subtle detail as a means to examine the deceptive nature of appearance and the presumed transparency of the photographic image. Muted colors emanate from beneath the whitewashed flesh of fruit; drawn charcoal outlines and shadows fix moments in fictional time; defining lines warp, wrinkle and decay with the organic matter they represent. The accompanying videos further explore time’s capacity to unfold and reveal the illusory nature of appearance.
I make images that embrace both the limitations and possibilities of photography. They prompt essential questions about the nature of reality as well as the medium itself: what do we expect a photograph to look like? To what degree are our beliefs and realities based on appearances and misconceptions? Nature Morte investigates the malleability of representation and identity and the potential for reconfiguring the physical and imagined boundaries we impose upon the world.